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This booklet entitled is designed for the absolute beginner. It takes its reader through a detailed description of the “who, what, why, where, and when” of the didgeridoo, and then begins to systematically describe the process of circular breathing; a process fundamental to the instruments use. Following that, there are a series of exercises designed to introduce the player to some of the instruments acoustic possibilities. |
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This tape is geared for the absolute
beginner. The first side takes its listener through the same easy
to follow directions relating to circular breathing as the booklet which
shares its title. These are accompanied by audio demonstrations to clarify
any confusion. Following this, several examples of the instruments
sound possibilities are described and demonstrated. The second side
is extended examples of the latter exercises without all of the narration.
It concludes with a piece of didgeridoo music to show how some of the playing
techniques can be incorporated in prolonged playing sessions.
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This tape is designed for more advanced
players who are already familiar with the basic principles of the instrument.
NB: There is no instruction relative to the basic principles of circular
breathing on this tape. Rather, it picks up on some of the
practice exercises contained on the first cassette, and moves on to more
challenging playing techniques. It also contains several practice
pieces of varying speeds, styles, and time signatures. These are
designed to help players out of “stuck” playing patterns; a common complaint
among my more advanced pupils. The first portion of each piece demonstrates
the rhythm, and is performed on didgeridoo and percussion. At the
mid-point of each piece, the recorded didgeridoo drops away, leaving the
player to practice with a steady rhythm without any key or style conflict.
This type of practice tool is unique to this series.
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This CD combines the information from both of the cassettes, with the added ease of indexed tracks. This avoids the inconvenience of fast-forwarding and re-winding to desired practice material. I believe that there is no other product of this nature which is as comprehensive in its scope. All of the audio material was recorded on state of the art digital recording equipment to give the listener the truest sound reproduction possible, and all of the printed matter was produced on recycled paper. The cover artwork was commissioned specifically for this series. It was painted by Tim Ives, who is a member of the Bundjalung Aboriginal nation. Should you be interested in his work, he can be contacted c/o Gondwana Gifts. |
A portion of the profits generated
from the sales of all of these products is contributed to TASCA